Weidenaar Prints ➔ Print, 'kind That Never Quits, [the] - State I (a.P. #1) (1 Of 1)
State I. Vertical. Frontal image of a single male figure in an awkward pose. Hat worn low over eyes. Shaggy hair, large eyes, long mustache. Wears shirt, tie, and shorts - all of which appear to be wrinkled. Limbs are thinand exposed. One leg is extended; the other is bent. No background images - only ink smears.;Reynold H. Weidenaar / 6 Jan 1983. The Kind that Never Quits. Reynold H. Weidenaar. St. I. Proof 1 of 2. Artist's own proof. n.a. T. Plate badly fouled. 6-Jan-1983-1. This proof: Too weak inking. H-26. Heavy pressure on sized bodleian caused surface adhesian and rough peel-off. Plate 218. 5 Jan 1983. Riverside Park - from notebook sketches. Ins. Val. 300.00 P.O.R.. |
Reynold H. Weidenaar Reynold Weidenaar was born in Grand Rapids in 1915, the eldest of two children of a Christian Reformed minister. In 1923, at the age of 8, Rey found a drawing of a train on a pile of garbage. The simple line drawing of a locomotive speeding down the tracks caught his eye and galvanized his imagination. And while many 8-year-old boys might love to draw trains, Rey Weidenaar was really, really good at it.
What followed was an extraordinary artistic career that Weidenaar pursued with diligence and passion right up until his death in 1985. While the critical successes of Weidenaar’s career can be measured by the hundreds of awards his works earned, here in his hometown, “Rey” was well known for his trademark red beret and his often-sighted license plate which simply read, “ARTIST.”
Weidenaar saw himself and his work as a bulwark of sanity and realism in an art world that frequently leaned towards the sensational and the abstract. His role as an arbiter of taste for Grand Rapidians is perhaps best summed up by a quote he gave to the Grand Rapids Press in 1978, “Abstract art offends me, and the lifestyle of some abstract artists offends me.”