A 1928 copy of Rudolph Fisher’s The Walls of Jericho. The fictional novel centers on the lives of a diverse set of characters living within Harlem, a neighborhood in New York City. It reflects the social atmosphere and experiences there in the 1920s. The book has a satirical flare to it but also emphasizes other larger ideas. It displays African American struggles at the time as well as their diverse experiences and thoughts. The book was written by physician and writer Rudolph Fisher. Fisher was born in Washington DC in 1897 and spent his life growing up in Rhode Island. Years later, in 1926, he moved to New York City. It was there that he became a writer of fiction during the Harlem Renaissance. He went on to write many short stories reflecting the lives of the people in Harlem. He was also the first African American to write a crime novel. These works and various interactions led Langston Hughes to describe Fisher as “…wittiest of these New Negroes of Harlem.”Olivia Vande Vegte, 3/8/2023
Changing America: The Emancipation Proclamation, 1863, and the March on Washington, 1963, examines the relationship between two great people’s movements, which both grew out of decades of bold actions, resistance, organization, and vision. One hundred years separate them, yet they are linked in a larger story of liberty and the American experience – one that has had a profound impact on the generations that followed.
The GRPM added artifacts and stories to the exhibition to give it an additional local perspective. In addition to artifacts from the GRPM Collections, many artifacts on display are on loan from the Grand Rapids African American Museum and Archives. Local stories are told through the eyes of our community in the form of oral histories and a place for visitors to share their own stories.
Changing America: The Emancipation Proclamation, 1863 and the March on Washington, 1963 was created by the Smithsonian’s National Museum of African American History and Culture and the National Museum of American History in collaboration with the American Library Association Public Programs Office. The exhibition is made possible by the National Endowment for the Humanities (NEH).