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Model, Greek House
Identifier:
115551Description:
Was also given the number #178425; original catalog number has been restored. Early Greek homes were constructed so as to give the utmost privacy and protection to the family. The family living quarters are behind the columns; those of the servants are at the left of the courtyard. The roofed-over portion at the right is for the storage of tools and equipment. Ancient Greek, ca. 600 B.C. Tile roof; central courtyard.Black and white photograph of Greek House created by Grand Rapids Commerical Photo Co.
Date:
1941Current Location Status:
In StorageCollection Tier:
Tier 2Source:
Museum CollectionRelated Entities:
G R Commercial Photo Company (creator) Museum Division, Work Projects Administration (creator) Works Progress Administration (donor)Alternate names: W.P.A., Work Projects Administration, WPA
The Works Progress Administration (known also as the W.P.A. or WPA, and renamed the Work Projects Administration in 1939) was a federal program developed in response to the widespread unemployment and economic need people in the United States were experiencing during the Great Depression. The goal of the W.P.A. was to provide one paid job to each household affected by long-term unemployment, thereby replacing a direct-relief model of federal aid with a work-relief model. The program was established on May 6, 1935 and was terminated in 1943 due to low unemployment rates caused by the onset of World War II.
A 1939 pamphlet Questions and Answers on the WPA describes a W.P.A. project as “any useful public work on which the Federal Government and some tax-supported public body have agreed to cooperate, through the WPA, in order to provide work for the needy unemployed. The project is a community or State enterprise which the WPA helps to carry out; the completed project belongs to the community or State.” The pamphlet further specifies that projects should be “on public property,” “socially useful,” and “not be a part of the regular work of the sponsoring agency, such as should be wholly financed out of its own regular funds.”
The way the W.P.A. worked in most cases was that state and local government sponsors initiated and planned projects that were submitted to W.P.A. administrators for approval. Once a project was approved, sponsors employed workers (skilled or unskilled) whose wages were paid by the W.P.A.; land, materials and equipment were funded/supplied by the sponsors. There were, however, some nationwide infrastructure projects that were sponsored and largely funded by the W.P.A.’s Division of Engineering and Construction.
The W.P.A. was a massive program, employing 3,334,594 people at its peak in November 1938, with many subdivisions that focused on different tasks and types of projects over the life of the program. One of the most conspicuous components of the W.P.A. was collectively known as Federal Project Number One; it consisted of five different parts: the Federal Art Project, the Federal Music Project, the Federal Theatre Project, the Federal Writers’ Project, and the Historical Records Survey.
[This description of the W.P.A. is a work-in-progress. More details are forthcoming.]