Model, Medieval Town House
Model, Medieval Town House
Model, Medieval Town House
Model, Medieval Town House
Model, Medieval Town House
Model, Medieval Town House
Model, Medieval Town House
Model, Medieval Town House
Model, Medieval Town House


Comments and Tags

Be the first to comment on this item!




Model, Medieval Town House

Identifier:
115566
Description:
Was also given the number #178429; original catalog number has been restored. Type of dwelling common in Europe during the 15th Century when most towns were surrounded by walls to protect them from warring neighbors and bands of robbers. A shop is located on the ground floor. The second and third floors are given over to living quarters. The fourth floor is used as a warehouse, surplus goods being hoisted up by means of a rope and pulley.
Date:
1941 – 1942
Current Location Status:
In Storage
Collection Tier:
Tier 2
Source:
Museum Collection
Related Entities:
Museum Division, Work Projects Administration (creator) Works Progress Administration (donor)
Alternate names: W.P.A., Work Projects Administration, WPA
The Works Progress Administration (known also as the W.P.A. or WPA, and renamed the Work Projects Administration in 1939) was a federal program developed in response to the widespread unemployment and economic need people in the United States were experiencing during the Great Depression. The goal of the W.P.A. was to provide one paid job to each household affected by long-term unemployment, thereby replacing a direct-relief model of federal aid with a work-relief model. The program was established on May 6, 1935 and was terminated in 1943 due to low unemployment rates caused by the onset of World War II.

A 1939 pamphlet Questions and Answers on the WPA describes a W.P.A. project as “any useful public work on which the Federal Government and some tax-supported public body have agreed to cooperate, through the WPA, in order to provide work for the needy unemployed. The project is a community or State enterprise which the WPA helps to carry out; the completed project belongs to the community or State.” The pamphlet further specifies that projects should be “on public property,” “socially useful,” and “not be a part of the regular work of the sponsoring agency, such as should be wholly financed out of its own regular funds.”

The way the W.P.A. worked in most cases was that state and local government sponsors initiated and planned projects that were submitted to W.P.A. administrators for approval. Once a project was approved, sponsors employed workers (skilled or unskilled) whose wages were paid by the W.P.A.; land, materials and equipment were funded/supplied by the sponsors. There were, however, some nationwide infrastructure projects that were sponsored and largely funded by the W.P.A.’s Division of Engineering and Construction.

The W.P.A. was a massive program, employing 3,334,594 people at its peak in November 1938, with many subdivisions that focused on different tasks and types of projects over the life of the program. One of the most conspicuous components of the W.P.A. was collectively known as Federal Project Number One; it consisted of five different parts: the Federal Art Project, the Federal Music Project, the Federal Theatre Project, the Federal Writers’ Project, and the Historical Records Survey.

[This description of the W.P.A. is a work-in-progress. More details are forthcoming.]